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Korda Is Showing at the Little Carnegie". "Storm in a Teacup (1937): The Screen Tight Little Comedy Is 'Storm in a Teacup,' Which Mr. " "Storm in a Teacup" Is Given Excellent All-Round Treatment in Saville-Dalrymple Version". The copyright date, as AFI and Copyright Catalog declared, was 10 August 1937. The American Film Institute Catalog claimed that this film was released on 25 February 1937. Leonard Maltin rated this movie three out of four stars and called it "witty social comedy." The book Guide to British Cinema considered this film as one of Victor Saville's "well-crafted, genre films" and "the breezy Rex Harrison–Vivien Leigh social comedy." The book British Film Directors: A Critical Guide called it "a whimsical comedy with anti-fascist undercurrents." The book A Chorus of Raspberries: British Film Comedy 1929–1939 considered this film "one of the best British comedies of the decade." Īnne Edwards, author of the 1977 biography of Vivien Leigh, considered this film a "funny but inconsequential comedy " nevertheless, she called Leigh's performance "witty and warm" for her role that "could not have given much pride of accomplishment." References The number of favourable reviews grew over time. The critic for The Montreal Gazette wrote, "the excellent story is done fullest justice by the directors, Victor Saville and Dalrymple, and by the large and often-brilliant cast." The critic for Boys' Life called it "a riot of fun for the audience." Nugent called it "an engaging miniature" and "a splendid comic brew". Fay)Īt the time of the film's initial release, reviews were favourable.
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The local police are about to put her sheepdog Patsy to death because she cannot pay the back taxes and subsequent fine incurred by her ownership of the dog.
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He strikes out against the Provost by taking up the cause of a poor woman who sells ice cream from a pushcart, and has dared to protest against the provost's new "dog tax". A free-spirited English reporter (Rex Harrison) is brought from London to work for the local newspaper and soon clashes with the autocrat-while falling in love with his daughter (Vivien Leigh). A Scottish town's powerful provost (mayor) struts and brags about his city "improvements" while the cowed villagers are sullenly forced to put up with him.
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